Lion acoustic night

This Thursday the 14th, I'll be clutching my guitar and heading off to Liverpool; specifically to the Lion near Moorfields station for my monthly singaround, or acoustic song session if you prefer, which takes place on every second Thursday of the month. As usual, it will be an informal evening with singing and playing by anyone who decides to have a go. With eight real ales, and free sandwiches provided by the pub, it's not a bad way to spend a Thursday evening, especially if you've already been to the weekly Thursday session in the Belvedere in Liverpool in the afternoon.

We don't usually get a large turnout, probably just as well considering the size of the room, but it seems to go down well with the people in the pub which is good because, if we got on their nerves, I'm sure we'd be given our marching orders. From around 8.30 p.m.

There's nothing to do in this dump ...

The eternal cry of the bored teenager, except it's not just teenagers with such an attitude. "There's not much of a music scene in Southport," I was told recently in a pub. As I spend at least 10 days a month at various music events, I didn't know how to put him right in a casual conversation, so I didn't bother. I really do wonder what some people expect.

Events I support tend to be folk/acoustic in nature, although I also like to watch some of the older local rock bands. While I try to cover a wider range than just my own tastes on this blog, there is a lot I simply don't know much about. For instance, there is a whole scene of young bands who stylistically range from punk to heavy metal; Martin Hovden often writes about them in the local papers. There are two jazz clubs - links to both on the right - one of which I have occasionally supported in the past. Our biggest local venue is the Southport Theatre where bigger name performers are presented, although gone are the days when they could afford to put on artists at the height of their fame such as Manfred Mann's Earth Band, Kim Wilde, Black Sabbath (supported by Van Halen), Daryl Hall and John Oates, Justin Hayward and John Lodge (from the Moody Blues), Nancy Griffith, Harry Chapin or Marvin Gaye - all of whom I've seen at there. Ones I regretted missing included the Crusaders with Randy Crawford and Tina Turner on her comeback tour. Nowadays the Southport Theatre has of necessity to be more modest in its ambitions, but that's not unique to Southport. I remember getting tickets to see Eric Clapton at the Empire Theatre in Liverpool in the late 1970s; there was no mad rush on the reasonably-priced tickets. Today he'd appear only at a big arena with extremely costly tickets selling out in a day. Big name gigs have become a massive business, and if big theatres in a city can't compete, what chance has Southport got?

The fact that Southport can't stage the big names in pop and rock doesn't mean that nothing is happening. Things are going on all the time, from smaller scale acts, tribute bands and oldies tours at the bigger venues through to local performers in pubs. Sometimes it mightn't be to your taste, and sometimes, to be honest, it may not be that good; the important thing is not to let a bad experience make you retreat into your living room, never to venture out again. If you had one bad meal out, would you say "I'm never eating out again"?

With the arts centre reopening as the Atkinson soon (see my post of a couple of days ago), even more decent live music will be available, and it's not just going to be folk/acoustic in nature. You won't see Cheryl Cole, but then why would you want to? If I wanted to see miming, I'd go to watch a proper mime artist.

If you're not that keen on live music, fair enough, but if you are, don't complain (at least, not to me) that there's nothing going on.

Late news: I've just heard about a new open mike night on Wednesdays at Reuters on Hoghton Street, which I'm told is now also a real ale venue. I'll find out more and write a separate post.

A million miles from 1984

"Britain Slips Down World Death Table" screams the newspaper headline, going on to assert that, "Rising levels of drink and drug abuse are turning Britain into one of the sickest countries in the Western world". Later in the article, the culprits are said to be alcohol, tobacco, high blood pressure and obesity. At face value, this looks plausible, seeing that the UK has gone down from 10 to 14 in the table that compares premature death rates in 19 wealthy nations (which isn't exactly the world, seeing that there are nearly 180 other countries on the planet). In addition, we are told that cases of cirrhosis of the liver, usually attributed to alcohol, have risen by 65% between 1990 and 2010.

It's not looking good for us, except that the article later states that the UK's average life expectancy has risen by 4.2 years between 1990 and 2010; it's now 79.9 years. So are we getting sicker or not? Clearly, if life expectancy is increasing, our general health must be improving, but that's not the message the headline conveys, i.e. that we are going down, when in fact we are simply going up more slowly than some other countries, but that doesn't make such a good story, does it? It does irritate me that statistics are being misrepresented for the sake of a good, shock-horror news story. Birkonian has a few other observations about the report too.

The cirrhosis statistic cannot so easily be dismissed, but I can't help wondering whether the draconian policies of successive governments concerning under age drinking haven't contributed to the problem. When I was drinking under age, we did it in pubs, drinking a few pints in a well-behaved manner (you didn't want to draw attention to yourself and be thrown out). As well as limiting the amount of alcohol you consumed, you also developed good drinking habits.

Not so now: you can buy a cheap bottle of vodka for the price of 3 or 4 pints, drink it at home, in the park or, as I saw recently, on the train going to a night out. Necking vodka quickly, even diluted with a soft drink, inflicts a massive alcohol hit on the system that cannot be achieved by drinking beer. When I was in my teens and twenties, drinking spirits was a rarity; now it's commonplace with young people, and has been for a while. I am certain that the Law of Unintended Consequences is at work here, in that legislation designed to protect young people from the damage that alcohol can undoubtedly cause, especially to a body that hasn't finished developing, is in reality driving many young people in a direction of greater damage. I'm not suggesting this explains all of the 65% rise in cirrhosis, but I'd be very surprised if it weren't a contributory factor. In other words, the cure is making the problem worse. Not only that, unregulated drinking is much more likely to lead to antisocial behaviour than drinking in a pub or bar.

It's a pity that health campaigners and public policy makers don't take a more holistic view of the problem and the potential effects of their suggested solutions. Instead we are given dubious university research that suggests that a rise in alcohol prices of X per unit will result in saving of Y number of lives, coupled with further demands to rack up the penalties on licensees who serve under age drinkers. Last year, when the BBC quoted completely inaccurate figures in a programme about the effects of alcohol on older drinkers (the mistake was the university researchers', not the BBC's), I demanded that they correct the information in a later broadcast of the programme concerned. They said they'd corrected it on the website, and my argument that most people who had seen the programme were unlikely to look at the website was dismissed. The logical conclusion is that it's okay to broadcast duff info in error and not correct it, as long as that misinformation supports the anti-alcohol campaigners' cause. I'm certain if the errors had gone the other way, the Beeb would caved in to pressure to broadcast a correction on air.

That's what we have to deal with nowadays; it's not a million miles away from 1984, is it?

Southport's Atkinson arts centre to reopen

The refurbishment of the Southport arts centre on Lord Street is now nearing completion. It has been three long years and the extended closure hasn't been helpful to the cultural life of the town, so let's hope all the time, effort and - most importantly - money has been well spent. It was because of this closure that the local CAMRA beer festival moved, first to the Scarisbrick Hotel and then to the St Johns Ambulance Hall in Wright Street, where it will held again this October. Many of us feared that, with the recession, the arts centre might not have been reopened at all and the building sold off.

It is to be renamed the Atkinson, although I suspect some people will still call it "the arts centre", mainly because they'll get bored of saying: "I'm going to see X at the Atkinson." "Where's that?" "It's the old arts centre."  I do recall that before it became Southport Arts Centre, it was called the Cambridge Hall, but the 'C' fell off and so it became Ambridge Hall, familiar to listeners of The Archers as the home of Lynda Snell. The Atkinson incorporates not just the arts centre, but also the library and art gallery.

When it reopens soon, it will present a variety of concerts from Fairport Convention  to Showaddywaddy. Also featured in the next few months will be: Spiers and Boden, Heidi Talbot , Kathryn Roberts and Sean Lakeman, Cara Luft (duo), The Christians, and State of the Union (Brooks Williams & Boo Hewardine). The Atkinson will also be hosting the annual Southport Jazz Festival in May, although there will still be a range of fringe events, some of them free, around the town. I'll write about them closer to the time. As before, I'll be noting the musical events at the Atkinson that I consider relevant to this blog on my What's On page (link to the right, or here), or you can go on the Sefton Arts website.

It is good news that it is reopening at last, but I think it's important to realise that in the current financial mess that the banks and politicians (of all political persuasions) have left us in, the long-term future of the Atkinson cannot be regarded as definite. It really is a matter of use it or lose it.

P.S. I contacted Emma Lloyd at the Atkinson about the bar, and her reply included this encouraging news: "We are looking to bring in Southport Brewery where possible and cater for our patrons with a wide choice of good quality bottled beers."

Last Orders for the London Hotel?

I wrote in December that I had heard rumours that the London Hotel, Windsor Road, Southport, may close. I wrote to Oakwell Brewery to ask what the position was. I eventually received the following reply from Lyn Booth, the managing director: "We have applied for outline planning for the site, which had to come back to us so a report on that occupation could be undertaken. This has now been completed and plans resubmitted, though I must make it clear that we are still trying to find a buyer for the site that would keep this outlet open - though as it is in a loss making position, this is a very hard task."

The London fits the description of community pub for reasons I explained more fully here. It was built in 1866 and is situated in a residential area that isn't well served for pubs. The beers are from Oakwell Brewery; they include Barnsley Bitter and are very reasonably priced. The pub has several rooms, ideal for meetings, and a bowling green. There are various teams that use it as a home base.

This pub isn't doing anything wrong; it seems to me that in general, conventional, slightly old-fashioned pubs in residential areas are particularly struggling. I don't know why, but if pressed to express a view, I'd guess that drinking habits have changed and people are more inclined to go into town and city centres rather than their local if they want a night out. It would be a shame if this pub were to close and the site sold for housing, but regrettably that is an increasingly common occurrence around here.

Another Wigan Beer Festival over with!

I got back from the Wigan Beer Festival yesterday evening just in time to see Lizzie Nunnery's excellent set at the Bothy Folk Club. Wigan went well. As usual there was a good atmosphere, most of the beer disappeared, and there was a variety of bands on from folk bands playing the kind of well-known folk songs that seem to go down well at festivals (Wild Rover and the like), a rock covers band and a young grungy band with a vocalist clearly into Liam Gallagher.

As I've commented here before, Wigan is quite unusual in that it gets in a lot of young people on the Saturday night sessions, including groups of young women who have not come as partners of beer drinking males, but on their own. You'll therefore be faced with the sight of young women glammed up to the nines, tottering around on high heels clutching a pint glass with real ale or cider. I was on the door for a while, and quite a few of them turned their nose up at the half pint option. "We want pints!" they'd say mock-indignantly. You don't argue with Wigan women.

Several people came up to me and asked, "Are you RedNev?" It was nice that people are reading the blog, but I wondered how they knew it was me. Eventually I twigged: there's a picture of me on this blog - idiot! It was also good to bump into friends whom I don't meet very often nowadays. The beers I had were well-kept, and I heard no complaints from anybody about the others. And for the first year ever since the move to this sports hall, no one said to me that they preferred it in the old venue in Wigan Pier. That's good, because it means that this is now seen as the proper venue for the festival.

I'll check the beers of the festival and publish them below when I find out. While at the festival, I picked details of some beer festivals that, in the next day or so, I'll put on my beer festivals page, which needs updating, as does the events page.

P.S. Beers of the Festival

Light Beer Winners were :
Gold: Castle Rock Sweet Woodruff
Silver: Blakemere Cosmic
Bronze: Abbeydale Dr Mortons 'latest'

Dark Beer Winners :
Gold: Binghams Ginger Doodle Stout
Silver: Blackedge Black Port
Bronze: City of Cambridge Atom Splitter

Lizzie Nunnery on Sunday

Lizzie Nunnery is the guest this Sunday, 3 March, at the Bothy Folk Club. Lizzie is a singer-songwriter and playwright from Merseyside and has been to the Bothy a couple of times previously.

Her songs are often delicate and personal in their approach, but recently have taken a slightly new direction by her collaboration with Vidar Norheim, songwriter, multi-instrumentalist and drummer; the rhythmic element he imparts to the music gives Lizzie’s material a different perspective from her earlier work. 

She has recently released her second album, Black Hound Howling. Of her first album, Company of Ghosts, BBC Radio 2's Mike Harding said: "I was stunned by this album the first time I heard it and have gone back to it over and again."

She's on at the Bothy in the Park Golf Club, Park Road West, Southport, PR9 0JS at 8.00 p.m. Click here if you'd like to buy your ticket on-line.

Wigan Beer Festival 2013

The CAMRA Wigan Beer Festival takes place this coming weekend from 28 February to 2 March. It's free to CAMRA members at all times. As the festival is at Robin Park Sports Centre, opposite the DW (former JJB) Stadium, a special courtesy bus service runs between the festival and the Anvil pub in Wigan town centre, close to both the bus and railway stations. 

Opening times and non-member charges are:

Thursday		17.30 to 23.00		£2.00 all day
Friday		12.00 to 23.00		£1.00 before 17.30 - £3 after
Saturday		11.30 to 23.00		£2.00 all day

Members: don't forget your card.

71 real ales had been confirmed earlier this week. Details of the beer list, cider and perry list, foreign beers, bus times, and everything else you need to know are on the festival website. There is music on most days, but those who prefer quiet sessions should come along on Friday between noon and 5.30 p.m. 

The gangster theme for the pie man logo is to mark the 80th anniversary of the ending in March 1933 of the American Prohibition, a benighted act that did a great deal to develop free enterprise in the USA. Unfortunately it was of the illegal kind; organised crime gained a major hold on the American economy and politics that still hasn't gone away. Oh, the old Law of Unintended Consequences again! British anti-alcohol campaigners, please note.

I'll be working there throughout the festival, so if you see me, come and say hello.

Ship Inn, Haskayne - April beer festival

View of the canal from the Ship beer garden

N.B. dates changed to 25th to 28th April.
I visited the Ship Inn, a canalside pub in Haskayne, this afternoon to discuss their next advert in our local CAMRA magazine, Ale & Hearty. There were two beers on: Coniston Bluebird and Holts Bitter. The Holts is always there but the other handpump serves a changing guest. Chris the licensee told me that he'd had to cut it down from three beers for quality reasons. In the summer he can have all his handpumps working, but off season it's not practical. I've not had Bluebird for a while, and I found it to be fine. The next beer due on was one from the Heart of Preston brewery, and after that he had Rudgate's Jorvik Blonde lined up. We discussed Liverpool Organic Brewery, as he was interested in possibly putting one of theirs on.

He's planning to have a beer festival just after Easter when he proposes to have 20 beers on, some live music outdoors, weather permitting, and with food available. This will be second one; I went to his first in October last year when the beers that I drank were well kept. One feature of this pub is that during the festival, the beers are extremely close to the cellar, so the dasks are stored there rather than on the usual racks, which is great for keeping the temperature right. The festival dates will be Wednesday 10 to Sunday 14 April changed to: Wednesday 25 to Sunday 28 April. CAMRA are planning to hold vintage bus trips to local pubs, including the Ship, during this period - more information on that when I have it.

The pub serves food and has an open mike night on Fridays They used to have the Britannia Blues Band playing on Wednesdays, but not at present, although Chris is thinking of reinstating that fixture.

Legends at Liverpool Beer Festival

Our Lunchtime Legends gig at the Liverpool Beer Festival went well, despite a late start due to the sound man, Ash, being delayed by bad traffic. Our usual line-up was augmented by Jez Lowe on bass; he had driven over from York especially to play with us. The late start meant we couldn't afford to have a sound check and we had to rely on Ash sorting it out during the first number and, to be fair, he did a good job. During our second spot, the audience began to loosen up, dancing in front of us and hands in the air waving to anthems such as Daydream Believer and Hi Ho Silver Lining. Because we were running late, we had to shorten our set, which was a disappointment and we had no time to play the encore that was being called for. One woman said how she was so pleased to hear us singing Terry by Twinkle, as no one ever covered it, and she bought a copy of the CD that it's on. We sold a few CDs, which was very nice.

One of the perks of playing at a beer festival is you get some free beer, although for obvious reasons you're expected not to get legless. We were given a George Wright beer first, followed by Liverpool Organic Styrian and then one from Brimstage. All good beers, in good nick too, and after 90 minutes of singing, very welcome. It was good to see some friends there at the festival too, including Harri the real ale drinker from Finland. He gave me a few photos he'd taken of me at the Southport Beer Festival.

After the session closed at 4.00 p.m., we went to the nearby Augustus John for a pint before taking ourselves and our instruments home. Beartown Kodiak Gold was my pint. In the evening, Chris (keyboards) and I went for a few pints in the Guest House in Southport. A good way of rounding the day off.

Public service announcement

Beer festivals galore!

The Philharmonic Dining Rooms

The CAMRA Liverpool Beer Festival begins today; no point in rushing down as it's ticket only, and is sold out according to the website. I'll be there on Saturday as the band I'm in, the Lunchtime Legends, will be playing during the afternoon session. Should be interesting, especially in the light of my previous criticism of this festival's arcane ticket arrangements, although I have always acknowledged that running this festival is a massive task and the venue is wonderful.

As the Liverpool Beer Festival is a big occasion, a number of pubs like to join in by putting on their own festivals for drinkers to go to before or after their visit to the CAMRA one, or instead for the ticketless. So, if you don't have a ticket, you still have these fine choices:

·   The Dispensary on Renshaw Street has a festival to the 24 February with up to 50 beers on. Tel: 0151 709 2160.
·   The Augustus John is behind Blackwells bookshop on Brownlow Hill and is running its Beer and Cider Festival to 23 February.
·   The Ship & Mitre, 133 Dale Street, is running its real ale festival to 24 February. This pub usually has about 12 real ales on anyway, and frequently runs themed festivals throughout the year.
·   The splendid Philharmonic Dining Rooms (to give the pub its correct name), 36 Hope Street Liverpool L1 9BX, is running a festival until 24 February.

If you want, you can have a festival pub crawl around the city. As they're all pubs, there is of course no charge to get in.

Anthony John Clarke in concert at the Orwell

Popular singer-songwriter Anthony John Clarke is playing a fundraising concert for the Wigan Diggers' Festival in the top function room (lift available) of the Orwell, Wigan Pier, 4 Wallgate, Wigan, WN3 4EU. The supporting acts are Pauline Blackburn, Laura Taylor (poet), Bob Kettle, and Joan Blackburn.

It takes place on Wednesday 27 February; doors open 7.30 p.m. for an 8.00 p.m. start. Tickets are £5, available initially at Wigan Folk Club. Enquiries: 07833 301336.

The Wigan Diggers' Festival celebrates the life and ideas of Wigan born and bred Gerrard Winstanley and the 17th Century Diggers (True Leveller) Movement. It will take place on Saturday 7 September 2013.

Goodbye Higsons (again) ~ hello Bier Head!

The beer formerly known as Higsons

The chequered history of Higsons has taken another unexpected turn - well, I didn't expect it anyway. Liverpool Organic Brewery (LOB), who have been brewing Higsons in recent years, having carefully refined the recipe to try to recreate the taste of the classic Liverpool beer, no longer have the right to use the name. They had an agreement with the owners of the brand to redevelop it and market it for a limited period, which came to an end on 31 January. So no more Higsons from LOB.

The good news is that the recipe belongs to LOB,and they will continue brewing the beer under the name Bier Head. LOB say that they have no idea what the owners of the name (one of whom is apparently an employee of Heineken) intend to do with it. If they're thinking of trying to market yet another version, it will suffer from serious credibility problems, being the third relaunch of this brand in half a dozen years. It would have to be good - cobbling together a recipe and calling it Higsons won't be enough - but I doubt anyone would take the necessary time and care over a new Higsons, certainly not to the extent that LOB did.

As you can see, the Bier Head pump clip retains the Higsons red colour and Liver Bird, so it will look familiar on the bar - although I'm sure that the Liver Bird has been slightly redesigned.

The most magnificent beer festival yet?

The Great Hall

I was sworn to secrecy about this, which is why I haven't mentioned it earlier, but as it's now on the internet the information is clearly no longer embargoed. Liverpool Organic Brewery, who to my mind have yet to brew a bad beer (that's not a challenge, chaps!), have organised a beer festival later this year in the magnificent surroundings of St George's Hall, which is on Liverpool's famous Lime Street. The beer festival website provides the following details:

• More than 300 real ales and ciders in the Great Hall
• Ales from more than 100 breweries across the UK
• Live music at all sessions in the Concert Room
• Continental beers and lagers
• Locally sourced food
• VIP reserved tables 

St George's Hall

The festival runs from Thursday 26 to Sunday 29 September. Admission is by ticket, which you can buy on-line via the website. Organisers of another beer festival in Liverpool might care to ask Liverpool Organic Brewery how easy it is to put tickets on-line! Tickets are £8, with a 38p booking fee. That's a bit hefty, but I expect the hire of this building won't be cheap; just regard some of that fee as an admission to an extravagantly beautiful building.

I've always wanted to see inside St George's Hall, but have never got a round to it; this seems to be the perfect opportunity.

National Pub of the Year

The Baum says cobbles to the opposition

On the 12 October, I wrote that the Baum, a pub in Toad Lane, Rochdale, had won CAMRA's Greater Manchester Pub of the Year 2012. I have learnt that it has now won CAMRA's National Pub of the Year. Although it's not exactly local to me in Southport, it's good to see a North West boozer win the gong. 

As you can easily read what I wrote about it previously, I don't intend to repeat myself, except to point out that this quite an achievement, seeing that the building was an ironmonger's until just over 30 years ago. As I said recently in a different context, it is not easy to create that unique atmosphere that we associate with the word "pub" - it usually has to develop organically over many decades. Well done to the licensees; I hope to visit some day. It has eight handpumps, does a good range of food and has a large beer garden to the rear. It looks good in the picture.

My friend Tandleman has more details on his beer blog. The Baum is at 33-37 Toad Lane, Rochdale, OL12 0NU. ( 01706 352186.

Molson Coors - not the cuddly capitalists after all

Molson Coors has pleasantly surprised many real ale drinkers by taking over and investing in - rather than shutting down - the Cornish brewery, Sharp's; I wrote about it in January. A news story I read recently in Private Eye suggests to me that we'd be unwise to set aside all our suspicions of this multinational corporation.

Alton Town FC is a local football team that plays plays in the regional Wessex League; it has been told it is to be evicted at the end of this season from a sports ground owned by Molson Coors. Football has been played on this land since the 1920s when it was used by the staff teams from the Courage and Bass breweries. In 1935 a covenant between Courage and the council was intended to protect the land for sport and recreation in perpetuity. Molson Coors is using its vast resources to find ways of getting around this obstacle in order to build houses on the site.

Carling, a Molson Coors brand, is sponsor of the current Scottish national side and was until recently sponsor of the English League Cup. So while Molson Coors, the world's seventh biggest brewer by volume, gain plaudits and publicity for supporting football nationally, they are happy to evict a grass roots team just to squeeze the last ounce of profit from a tiny asset, irrespective of the consequences for the local community. They obviously believe, probably correctly, that such disgraceful behaviour won't garner much interest nationally. Finding a new football pitch will be extremely difficult; if it proves impossible, that will be the end the end of Alton Town FC. No one can argue that this plan is essential for the future profitability of the Molson Coors, so there can no other motive than greed, which neatly puts this quote in perspective: "Carling, the UK's best-selling lager, continues to be a leading sponsor of sport in Scotland and the UK."

What's this got to do with Sharp's Brewery? Quite a lot. Molson Coors are nurturing Sharp's as they want to gain credibility among real ale drinkers, and they have succeeded in that to quite an extent. We must however be under no illusions: if Molson Coors decide that the costly business of maintaining a small brewery in Cornwall, not exactly handy for transport routes, no longer fits in with their strategy or "vision", the brewery will go, production will be centralised, Doom Bar et al will simply become brands devoid of any resemblance to the original beers, and the brewery site sold for profitable redevelopment.

I'd like to be wrong, but the treatment of Alton Town FC proves that this huge capitalist corporation hasn't changed its spots. Irrespective of how profitable Sharp's is in future, they'll maintain it just as long as it suits them, and not a day longer.

Elbow room at the Mason's

It was a good singaround in the Mason's last night, accompanied by a real log fire, ham butties, cheese & crackers, and pints of build a rocket boys! It's a beer created by the band elbow and brewed by Robinson's of Stockport. I saw an item about it in a CAMRA mag a while ago; the band seemed very pleased about having a beer made to their own specifications. It's pleasant enough and golden and it has some of the characteristic taste that you expect from a Robinson's beer. Like the beers of a lot of regional breweries that have leapt on the golden beer bandwagon, it's unremarkable, inoffensive and surprisingly successful. But then, I never expected Thwaites Wainwright, a similar - though for my money better - beer, to become the brewing phenomenon that it has. build a rocket boys! will satisfy a lot of ordinary real ale drinkers and some non-real ale drinkers, but not those who seek the "innovative" (i.e. with loads of hops). But breweries can't live by such drinkers alone.

The pump clip is a CD of the band's 2011 album build a rocket boys! Brenda, the licensee of the Mason's, tells me that they now scratch the CDs before using them as pump clips because so many were being pinched. It was originally intended as a limited edition (one hit wonder?), but is now Robinson's fourth best selling beer. A share of the profits goes to Oxfam's East Africa Appeal, and it has so far raised more then £25,000.

No one referred to it as build a rocket boys! during the evening. We all just asked for a pint of elbow, even Brenda who eventually gave up trying to correct us all.